Canopticon (2022-2023)

Canopticon (2022)  is an interactive video sculpture that plays on the technical circularity of the surveillance system, where the viewer is confronted by their own image in the view of those watching them. The aim of the work is to highlight the presence of surveillance cameras and also bring to attention issues of social control of the surveillance network.

Medium
Ready-made surveillance camera


A part of the Gentle Resistance body of work.

Exhibitions and Presentations

No Harm No Foul (2021): No Harm No Foul is an exhibition featuring works in progress by the Fine Arts graduating cohort. The curators selected two out of the six works from my final year project Gentle Resistance (2022) to be showcased in the Praxis Space at Lasalle College.

My Hands on My Seat (2022): My Hands on My Seat is an exhibition held at Winsted Campus, Lasalle,  showing the entire collection of final-year projects from the Fine Arts graduating cohort. The exhibition features the full series of Gentle Resistance (2022), comprising a total of 5 works.

The Lasalle Show (2022): The Lasalle Show is an exhibition at the Institute of Contemporary Arts, Lasalle College, displaying selected works from the Fine Arts graduating cohort’s projects. Two out of five works from my final year project, Gentle Resistance (2022), were chosen by the curators and exhibited in Gallery 1 and 2.

Frequencies - Sept Fest (2022): Curated by Bridget Tay, Frequencies is part of the annual Sept Fest organized by The Substation. The exhibition includes three out of five works from Gentle Resistance (2022), displayed at the Figment Embassy, Singapore. The selected works are placed in site-specific locations, such as the stairwell, tabletop, and within some plants, enhancing the showcase experience.